"Starlight
In The East"
Directory
of Bob Dylans Unreleased Songs: W
| Compiled by Alan Fraser |
Portraits Of Bob Dylan, the 1999 Eagle UK CD (released by Purple Pyramid in the US) by Steve Howe containing the unreleased song WELL WELL WELL (vocal by P P Arnold) - scan by Dave Plentus
Revised:
07 May, 2008 ![]()
"Searching For A Gem" (Home page) |
For the meanings of the song title colours and the circulation codes used in this directory, please see the header page for this section (click on "Up" below).
(Indefinite and definite articles at the beginning of song titles are ignored, so A WOMAN LIKE YOU is on the "W" page, and THE KING IS ON THE THRONE is on the "K" page.)


OCMS (Nettwerk Records, USA, 2004) - album by Old Crow Medicine Show
in which their version of WAGON WHEEL is jointly credited to Bob
| WAGON WHEEL | Arthur "Big Boy" Crudup/Bob Dylan/Ketcham Secor, 2004 | S |
| Title of reworked version of Bob's version of Arthur "Big Boy" Crudup's ROCK ME MAMA, out-take from "Pat Garrett And Billy The Kid OST", recorded at Burbank Studios, Los Angeles, CA, Feb 1973. A cover version of this song is credited to "Bob Dylan with additional lyrics and melody by Secor" on "OCMS", the 2004 Nettwerk Records album by Old Crow Medicine Show (Ketcham Secor is a band member). This track is published by Blood Donor Music (BMI)/Special Rider Music (SESAC) - Special Rider is Bob's publishing company. Thanks to Tim Dunn for copyright information | ||
| WAIT AND SEE | 1981 | S |
| Copyrighted title of an instrumental recorded during "Shot Of Love" sessions at United Western Studios, Los Angeles, CA, 02 Apr 1981, also known as MOVIN' | ||

A**hole (Sanctuary Records, USA, Jun 2004) Gene Simmons' solo album
with his version of the Dylan/Simmons co-composition WAITING FOR THE MORNING
LIGHT
| WAITING FOR THE MORNING LIGHT | Bob Dylan/Gene Simmons, 1996 | N? |
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"Billboard" in Jun 2003 revealed that Gene Simmons' first solo record in 25 years would feature songs co-written by Simmons with Bob Dylan and the late Frank Zappa. The album was finally released on 8 Jun 2004 in the USA on Sanctuary Records entitled "A**hole! The Dylan co-written song, "WAITING FOR THE
MORNING LIGHT," was born out of a one-day writing session at
Simmons' home in Los Angeles six or seven years ago, the Kiss
bassist/vocalist reveals. |
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| WAITING TO GET BEAT | 1985 | S |
| Out-take from "Empire Burlesque", recorded at Cherokee Studios, Hollywood, CA, 14 Feb 1985. Another take of this song with different lyrics is known as THE VERY THOUGHT OF YOU | ||
| WALK DOWN CROOKED HIGHWAY | 1964 | N? Y |
| Copyrighted Nov 1964 and lyrics published in the New York folk magazine "Sing Out!" Jan 1965, but there is no record of any studio or live performances | ||
| WALK OUT IN THE RAIN | Bob Dylan/Helena Springs, 1978 | S |
| Out-take from
"Street-Legal", recorded at Rundown Studios,
Santa Monica, CA, 01 May 1978 - covered by Eric Clapton on
his "Backless" (Uni/A&M, 1978) album along with IF I
DONT BE THERE BY MORNING (a picture of
the album cover is on the "I" page). Lyrics on
bobdylan.com Paul Cable reported in his book "Bob Dylan: His Unreleased Recordings" that a rough studio recording of Bob performing this song with Helena Springs was in circulation |
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| WALKING DOWN THE STREET | Bob Dylan/Allen Ginsberg, 1971 | N? |
| Recorded at The Record Plant, New York, 17 Nov 1971 - intended for Ginsbergs "Holy Soul Jelly Roll" album, but as yet unreleased | ||
| WALKING ON EGGS | 1981 | S |
| Instrumental recorded during "Shot Of Love" sessions, Cream Studios, Los Angeles, CA, 01 Apr 1981 | ||
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| WANTED MAN | 1967 | N? |
| Incomplete take with
Johnny Cash recorded Columbia Studios, Nashville, TN, 18 Feb 1969 - lyrics on
bobdylan.com
First performed live by Johnny Cash on his "Johnny Cash At San Quentin" album. Also available are covers by George Thorogood and the Destroyers on their 1982 Capitol album "Bad To The Bone", Nick Cave and The Bad Seeds on their 1985 Mute album "The First-Born Is Dead" and by Michel Montecrossa on his 6CD Mira Sound Germany set "Bob Dylan Fest 2001", see D page for details |
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| WAR TIME | 1984 | R |
| Worked on during rehearsals at the Arena di Verona, Verona, Italy, on 27 May 1984, but not performed in public and no studio version is known to exist | ||
| WARMING UP | ? | N? |
| Unknown song copyrighted by Bob and Special Rider Music at SESAC. Thanks to Tim Dunn for information | ||


Checks, Thugs And Rock-N-Roll (RomenMpire Records, USA, 2006) -
uncensored and "clean" versions of album by DMC containing rewritten
version of ALL ALONG THE WATCHTOWER
| WATCHTOWER | Bob Dylan/Darryl McDaniels (DMC), 2006 | N? |
| Version of ALL ALONG THE WATCHTOWER from "John Wesley Harding" using the first two lines of each of the three verses with new lyrics by Darryl McDaniels (DMC) completing the verses and Jimi Hendrix-style guitar by Elliot Easton of The Cars on DMC's solo album "Checks, Thugs And Rock-N-Roll" (RomenMpire Records/From Rags To Riches Records 2-68607, USA, 2006). The song for some reason is credited solely to Bob and Dwarf Music. The album also contains CADILLAC CARS, which uses a Dylan lyric sample. Thanks to Tim Dunn for information | ||
| WAY DOWN YONDER | 1961 | N? |
| Thanks to Tim Dunn for information that the page with the handwritten lyrics of this song were auctioned on the Internet on 24 Jun 2006 - no recording or performance is known | ||
| WE JUST DISAGREE | J. Krueger, 1980 | L |
| This song performed live in 1980 and 1981 is identified by some as a Dylan song - it is actually a cover | ||
| (WE'RE LIVING ON) BORROWED TIME | 1981 | S |
| Out-take from "Shot Of Love", recorded Cream Studios, Los Angeles, CA, 01 Apr 1981 | ||
| WEIRD CONSUMPTION | 1964 | O |
| Recording session sheet title of BLACK CROW BLUES, released on "Another Side of Bob Dylan" | ||
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| WELL WELL WELL | Bob Dylan/Danny O'Keefe, 1993 | N? |
| This song was first performed live by Don
Henley at the Walden Woods Benefit, Foxboro, MA, 6 Sep 1993, although
he has never officially recorded it. The first official release was by
David Lindley and Hani Naser on their album "Playing Even
Better" (Pleemhead 75676-2, 1995), followed by an outing on Maria Muldaur's
"Fanning The Flames" album (Telarc Blues CD 83394, 1996).
Gil Walker: "The guy I heard about the song from is also a film/music critic for a local group of weekly newspapers; he told me he asked Maria about the song at a recent club appearance, and she told him, that, as far as she knew, no one else had released a version of the song. Where did she get it? She said she just called up Dylan one day and asked him if he had anything on hand she could put on her new record - so he sent it to her! Unfortunately, she didn't say (or John didn't ask) whether she got sheet music, a Dylan demo, or something else to work from." (It's since been reported to me that on the demo tape Maria received the song was performed by co-writer Danny O'Keefe, not Bob, so there is no circulating Dylan version.) Danny O'Keefe released his own version in February 2000, on his album "Running From The Devil" (Miramar 090006-23148-2), its first appearance from one of its writers. Maria has also covered the unreleased song AIN'T NO MAN RIGHTEOUS, NO NOT ONE. David Lindley re-recorded the song with Wally Ingram on their September 1998 album "Twango Bango Deluxe" (Ulftone UTCD-003) and it has also been covered by Steve Howe with P.P. Arnold as guest vocalist on his June 1999 album "Portraits Of Bob Dylan" (Eagle Records, UK/Purple Pyramid CLP 0600-2, US). Thanks to Tim Dunn for additional information. One of these versions appears on the Australian Raven album "Danny's Best 1970-2000 - Good Time Charlie's Got The Blues" (Raven Records WWRAV 71098, Australia, 2005) Thanks to Hans
Marijnissen for the information that the lyrics are at Danny
O'Keefe's web-site
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| WELL IT'S EARLY(?) | "Early 1960s" | N? Y |
| Tentative title of an unpublished song whose lyrics were typed by Bob when staying at Harvard, and kept by Joan Baez's then room-mate, Betsy Siggins Schmidt. The story and lyrics were published in the "Boston Globe", 24 Nov 1998 | ||
| WELL WATER | 1981 | S |
| Instrumental recorded during "Shot Of Love" sessions, Cream Studios, Los Angeles, CA, 01 Apr 1981 | ||
| WHAT IT'S ALL ABOUT (WHAT'S IT ALL ABOUT) |
1970 | S |
| Two recording session sheet working title variants for SIGN ON THE WINDOW, released on "New Morning", recorded at Columbia Studios, New York, 05 Jun 1970, during "New Morning" sessions (CO107277) with strings overdubbed on 13 Jul 1970. The string overdubbed version was not used for the final album | ||
| WHAT KIND OF FRIEND IS THIS? | Bob Dylan/Koko Taylor, 1966 | H |
| Bob's adaptation of a Koko Taylor song, seen in "Eat The Document" being worked on in a hotel room in Glasgow, Scotland, 18-19 May 1966 | ||
| WHAT WILL YOU DO WHEN JESUS COMES? | 1975 | M |
| Song based on a traditional spiritual recorded at Studio Instrument Rentals, New York, Oct 1965 with the Rolling Thunder Revue and included in the film "Renaldo & Clara" | ||
| WHAT'S IT GONNA BE WHEN IT COMES UP? | Bob Dylan/one or more members of The Band, 1969-71 | N? |
| An otherwise unknown song listed by Tim Dunn in his new book "The Bob Dylan Copyright Files: Supplement 1" (Rolling Tomes, 2000) - no recording or performance is known | ||
| WHATS THE MATTER? | Bob Dylan/Helena Springs, 1979 | N? |
| Believed to have been recorded at Rundown Studios, Santa Monica, CA, October 1979, with vocal by Helena Springs | ||
| WHEN A FELLOW'S OUT OF A JOB | Grant Rogers/John Barnes, 1970 | N? |
| Recorded during "New Morning" sessions, Columbia Studios, New York, 03 Mar 1970 (no CO number) - songwriter unidentified by Krogsgaard. | ||
| WHEN THE LINE FORMS | Bob Dylan?, 1985 | N? |
| Recorded during the "Empire Burlesque" sessions, The Power Station, New York, 19 Feb 1985 | ||
| WHEN THE WIND BLOWS | Bob Dylan/W. Bellon, 1995 | N |
| Song with Polish words by W. Bellon, music by Bob Dylan, see KIEDY WIEJE WIATR | ||
| WHEN YOU GIVE ME YOUR LOVE | ||
| One of the fake titles circulated on the Internet in January 1997 as part of a hoax about a new album to be called "Stormy Season" - see STORMY SEASON for more details | ||
| WHEN YOU WERE FULL OF WONDER | Earth Opera, 1968 | N |
| Actually a track by Earth Opera, not Bob Dylan - see AS IT IS BEFORE | ||
| WHERE DO YOU TURN | 1974 | N? Y |
| Lyrics of this song are reported by Clinton Heylin to have been found in a notebook containing lyrics of the "Blood On The Tracks" songs, but no studio or live version is known - also known as TURNING POINT | ||
| WHITE LOVE AND SONG | 1966 | N? |
| Song title found on a typescript of rough drafts described by Clinton Heylin in “Behind The Shades 2” (p242 US edition) – thanks to Gil Walker for the information. It is not known if this refers to a released or unreleased song. | ||
| WHO LOVES YOU? [WHO LOVES YOU MORE?] | 1984 | S |
| Out-take from "Empire Burlesque", recorded at Delta Sound Studios, New York, 26 Jul 1984 | ||
| WHO YOU REALLY ARE | Traditional, 1963 | H |
| Song title used on bootlegs, the song is actually BACK DOOR BLUES, also known as GRASSHOPPERS ON MY PILLOW, from the "Banjo Tape" rehearsal with Gil Turner and Happy Traum, Gerdes Folk City, New York, 08 Feb 1963 (see comments for ALL OVER YOU) | ||
| WHY DO YOU HAVE TO BE SO FRANTIC? | 1965 | S |
| Alternate title of YOU DON'T HAVE TO DO THAT, out-take from "Bringing It All Back Home", recorded at Columbia Studios, New York, 13 Jan 1965 (CO85280) - this title has also been used for the incomplete out-take normally known as LUNATIC PRINCESS NO. 3 or LUNATIC PRINCESS REVISITED (FROM A BUICK 6) Tim Dunn, in his book "The Bob Dylan Copyright Files Supplement 1" (Rolling Tomes, 2000), notes that a copyright record does exist for this title | ||
| WILD WOLF | 1967 | N? Y |
| Basement Tapes song recorded with The Band, Big Pink, West Saugerties, NY, July-September 1967, the lyrics were published in "Some Other Kinds Of Songs" (1986) | ||
| WIND BLOWING ON THE WATER | 1981 | S |
| Out-take from "Shot Of Love" sessions, recorded at Cream Studios, Los Angeles, CA, 01 Apr 1981 and mixed Clover Recorder, Los Angeles, 05 May 1981 | ||
| WIRETAPPIN' (IT CAN HAPPEN) | 1975 | N? |
| Out-take from "Desire", recorded Columbia Studios, New York, 28 Jul 1975 (no CO number) - reportedly too chaotic to be used! | ||
| WITHOUT YOU | Bob Dylan/Helena Springs, 1979 | N? |
| Believed to have been recorded at Rundown Studios, Santa Monica, CA, October 1979, with vocal by Helena Springs | ||
| WOLF | 1984 | S |
| Instrumental recorded during the "Empire Burlesque" sessions at Delta Sound Studios, New York, 26 July, 1984 | ||
| A WOMAN LIKE YOU | 1970 | O |
| Recording session sheet title of THE MAN IN ME, released on "New Morning" | ||
| WON'CHA BUY A POSTCARD? | 1962 | N |
| Song mentioned by Bob in his radio interview with Cynthia Gooding in New York, Feb/Mar 1962, as being about "a performer who had a distinctive image to sell". No version has ever been heard | ||
| WONDER WHEN MY SWAMPS GONNA CATCH ON FIRE | 1970 | S |
| Alternate title of LAS VEGAS BLUES | ||
| WON'T YOU BE MY BABY | 1967 | H |
| Basement Tapes song recorded with The Band, Big Pink, West Saugerties, NY, July-September 1967, usually known as BABY, WON'T YOU BE MY BABY although actually copyrighted under the title I LOOKED AS FAR AS I COULD SEE | ||
| WOODSTOCK YULE | 1969 | |
| This is a hoax title of a non-existent track from the 1969 "Self Portrait" sessions named in a joke article UK music magazine "New Musical Express in 1975 about a fictitious Dylan Christmas album called "Snow Over Interstate 80". The article claims it was considered as a Christmas single. For more details, see my "Snow Over Interstate 80" page. | ||
| WORKING ON A GURU | 1970 | S |
| Out-take from "New Morning", recorded with George Harrison at Columbia Studios, New York, 01 May 1970 (CO107089) | ||
| WORLD WAR NO III | 1963 | D |
| Alternate title of CUBAN MISSILE CRISIS, recorded at Broadside magazine offices, New York, March 1963 - Dylan lyrics to the traditional TRAIL OF THE BUFFALO | ||
| WORSE THAN MONEY | 1965 | O |
| Recording session sheet title of SHE BELONGS TO ME, released on "Bringing It All Back Home" - also called MY GIRL | ||
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