
This new page is one of a set listing the mono releases of regular Bob Dylan LPs that were created from the regular stereo mix by combining the left and right channels, not specially engineered for mono. New Morning was the last Dylan album to be released in mono, in Brazil only. The last US mono album was John Wesley Harding, and the last European mono album was Nashville Skyline. These LPs are eligible for inclusion on this site because the mono versions of these Dylan songs are now unavailable on CD. (The first eight Dylan albums were released on CD in mono as The Original Mono Recordings in 2010. For full details of the set, see here.) Mono LPs with rare tracks (e.g. mono versions with significant differences from the album tracks, such as different mixes, edits or fades) are listed in the main chronological pages. Mono singles up to 1976 have their own pages, see the links above.
If you have any entries to add to the list or additions/corrections to
existing entries, please let me know!
Please note I cannot value your Dylan rarities -
see the Mission page for reasons why. Contact the
dealers on my Trading page for assistance!
Revised: 01 January, 2012.
"New Morning" - mono vinyl LP, CBS 37706
(Brazil), Oct 1970:
The front photograph is by Columbia staff photographer Len Siegler, from Aug
or Sep 1970. The rear picture shows Bob with Victoria Spivey at Cue Recording Studio
New York, 2 Mar 1962, at the session that produced Three Kings And The Queen
(see 1964), and Kings And The Queen Vol. 2
(see 1972). On the rear sleeve the song titles are
translated into Portuguese. The corresponding Brazilian stereo album is CBS
137706.
I assumed this was a stereo-to-mono reduction, although Keith Venturoni has a copy and thinks the record is actually stereo, not mono as stated on the cover. John Harju confirms this, although it seems surprising since there was also a correctly described Brazilian stereo release!
Thanks to Hans Seegers for information and scans.

A Flying Pig production
Listings © 1998-2012
The rights to material from all quoted contributors remain
with them. Copyright of all included artwork remains with the various record
companies and artists.
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